Nine modern poets whose poems you should read to your children. Little questions to the great writer Anna Ignatova Albert Likhanov "The Last Cold"

Maria Galina
MARIA GALINA: HYPERFICTION
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MARIA GALINA: HYPERFICTION

DRAGONS, STARSHIPTS AND, OF COURSE, BEARS

The attempt to collect a targeted “fantasy” issue undertaken by the magazine “October” (2016, No. 6) is not that unique - a few years ago “Znamya” did about the same thing (however, it was mostly, so to speak, mainstream people who took on science fiction there ), A " New world“, again several years ago, dragged this cart for a whole year. But yes, then yes - both in “Znamya” and in “New World” there were in parallel other materials, let’s say, non-fantastic. So the experience of “October” can be considered pure. Or almost clean. Why, we will see later.

The cover itself already identified itself with the phrase “New Wave”. It must be said that science fiction writers in general love this term very much, and therefore every wave we have is a new one - only in the post-Soviet space there were several noises above our heads, starting with the “fourth” and illogically ending with “color”, but here again is a new one, no ? There is some difficulty here.

The fact is that to classify a very good, perhaps our best, teenage writer Eduard Verkin among the “new wave” of modern science fiction is, as they say, on the part of the compilers. bold. As well as the inclusion in this very wave of Vladimir Arenev, who has been working in the genre for a relatively long time, has received several genre awards and is already leading his master classes (Verkin, by the way, is also a winner of several awards - and specifically in the field children's literature). Apart from Anna Ignatova’s sentimental and somewhat surreal mini-story about a talking bear, which is apparently already a trend, two stories by these authors make up the prose body of the magazine - it is significant that both are, as they say, “for middle and high school age.” The stories are worthy of both reading and detailed and attentive analysis, but the tendency is indicated by the compilers of the issue. Science fiction is something for teenagers. And about teenagers.

However, the authors of the stories themselves - with their texts - refute this as best they can. Krapivinsky in mood and intonation, Eduard Verkin’s story “The Starship with a Broken Wing” is riddled, as they now say, with Easter eggs - references to the golden fund of Soviet science fiction, which a teenager is unlikely to be able to count. It also has a distinctly nostalgic flavor. Golden haze of the past. Quiet sad flair. Whatever happens will be nice.

For the mysterious and so attractive to local bored teenagers, two aliens, also teenagers, but teenage supermen, dexterous, beautiful, strong, knowledgeable, trained - what else is there? - true “people of Noon”, as one initially thinks, this sleepy and, in general, joyless world of “deep stagnation”, the long Olympic summer of 80 seems almost like paradise; empty counters of provincial stores - a self-assembled tablecloth; teenage bike - a miracle ( blasters they have it, but it’s for a different, adult, cruel and scary life).

It is unknown whether the aliens really arrived on a starship. The superwoman girl Anna sings a song about a starship with a broken wing, about a star pilot who, on every inhabited planet that comes his way, buys just one pack of cigarettes - so that he has where and why to fly further (and she herself buys such a pack of cigarettes, no matter what, just cigarettes), but the song is just a song. Although, perhaps there was a starship (at least there was something that left a scorched clearing). Or maybe it was a time machine. It's more like a time machine. Doesn't matter.

It is important that it is through their defamiliarizing gaze (in addition, passed through an additional prism, through the gaze of the teenage narrator) that we see the last peaceful days of the Empire, its golden, declining (so meager, so sad, with all this shortage, habitual poverty and hopelessness) summer - which ultimately led there, outside the story, to such a terrible, even more meager, even more hopeless future. A future where children don't know how to ride a bike because they don't know what it is, but they know how to kill - quickly and efficiently - and they know what it is blaster. A future where even dried out cookies from the general store seem like a delicacy. A future where the golden-eyed beauty Anna has keloid scars and incomprehensible scars on her hands - as if someone had gnawed out pieces of meat.

Teenagers in general have amazingly keen eyesight; they see what, for various reasons, adults refuse to see (it’s not for nothing that the story contains an homage to the cult story, but it seems, alas, only in dedicated circles, Alexander Mirer’s story “Main Noon”). They are already able to understand adult conflicts, sense the undercurrents and quiet currents of adult life, but are not yet ready to accept them for granted. For them, when they grow up, everything will be different, not like these sad elders. Teenagers, of course, are not always such non-conformists, but becoming like these? Sorry.

Here is Marta from Vladimir Arenev’s novel “Gunpowder from Dragon Bone” - an ordinary girl on the eve of her eighteenth birthday (in terms of behavior and psychology, she and her classmates are probably fifteen years old, not as a reproach to the author, but by the way), can’t stand maybe a dull life at home, and at the same time a stepmother who got mixed up with a huntsman (“gamekeeper” here is a little different from what we have) while my father went to work, supposedly as a driver, in a neighboring country. The stepmother, by the way, turns out to be not so bad, especially in full version novel (the novel is published in an abridged version in October), although she really got confused with the huntsman - but the father, who returned from neighboring countries, does not seem to mind. And in general, he returned somehow strange, and the stepmother’s hands had strange, non-healing wounds after his return, and her neck too.

Ordinary Martha is ordinary, but, as it should be in fantasy, she has the gift of “charming” dragon bones, which in Arenev’s fictional world are dug the same way black archaeologists dig in our country - illegally, because they make something like drug. However, judging by the way the events unfold in the novel, dragon bones are pure, unalloyed evil - and, by the way, there is no accompanying thrill. But the “digging” line, which, in fact, drives the plot - with its conflicts, intrigues and secrets - is not as important as the background. Exactly like in the previous story, except that Verkin’s background is real to the last detail, but here it seems to be fictitious - a conventional quasi-German... well, perhaps, a county. But schoolchildren here write patriotic essays, praising the country’s rich history and past imperial greatness; Some strange circulars come to institutions, and until recently brave and kind teachers begin to become timid and avert their eyes; teenagers publishing an amateur newspaper suddenly, out of the blue, begin to be harassed for “spreading unverified rumors”; It is strongly not recommended to go on vacation beyond the border, as it is harmful to health; and access to information on the Internet (yes, there is an Internet here) is limited by the latest decree to a couple recent years. In addition, it turns out that hard workers of peaceful (exclusively peaceful!) professions returning from a neighboring country behave somehow strangely, and strange shadows begin to roam along the dark streets of a provincial town at night, and people die, well, yes, it’s also strange.

Arenev is an author who consciously plays with cultural heritage, but vampires and the living dead here are not menacing exotic entities, but dull everyday life, and this is perhaps the main feature of the novel. Well, yes, Martha’s stepmother has to live with a dead man revived by the sovereign will (we there We’re not at war, which means there can be no casualties!), well, she wipes the wounds with alcohol, well, Martha’s father leaves bloody stains on the sheets and bedspreads, well, dragons once fell to the ground, and the short Ruler has three golden hairs... Martha doesn’t really care about that, she’s in love - as expected, with the handsome Mr. Wegner, the new life safety teacher, hates the wicked stepmother and the insolent huntsman, loves her father (despite the fact that he’s returned somehow wonderful). She has her own problems - how to sell the dug up dragon bones in order to save money and go to study in the capital, away from dull boredom and household items. She has friends, friends have their own problems... And what about her friend’s beloved dog? started milking out of season, after which she began to behave differently, she had to be put to sleep, well, yes, well, it happens, although yes, it’s strange, of course, since before only taken during the season.

Roman Areneva was included in the short list of the children's literary award "Kniguru", Eduard Verkin is a three-time winner of the good, but defunct "Treasured Dream" award. In a word, the trend is designated by “October”. At least in prose.

However, there is also criticism. And here something extremely funny happens. The critical selection presented by the issue's compilers and its prosaic content, let's say, are radically different. It is significant that Verkin is not mentioned at all in any of the articles - not even in Daria Zarubina’s article, which seems to be devoted to teenage fiction (but the commercially successful Nik. Perumov is mentioned abundantly). As for Arenev, he is mentioned in an article by Vasily Vladimirsky, dedicated precisely to the conflict between “stream”, “serial” fiction and “non-format” fiction - it is clear that precisely as a representative of the non-format.

This discrepancy is explained, perhaps, by the fact that modern science fiction for the most part is an escapist and infantile genre - but “adult”. Which is really sad - I mean her childishness - but what has grown has grown. Teenage fiction, teenage literature is only one component of it, although for some reason unclear to me, it was presented in the body part (this very “Bear” does not count). Even Ai En’s extensive, methodological article “How We Saved Ivory” is dedicated to the experience of working with teenagers to create shared worlds. As a result, the rest of the materials in the critical corpus turned out to be, let’s say, hermetically sealed—turned toward the fandom, the regular consumer of science fiction. Whereas both stories, metaphorically speaking, are turned outward - towards an outside reader (and a reader of “teenage” literature, but oh well). Personally, I can only hope that this most outside reader will be interested in Sergei Shikarev’s thoughtful article “High Waves, Quiet Backwaters” - specifically about “fantastic waves”, which dwells in detail on the “colored wave” (from which article, in fact, it is clear that there is no other “new wave”, the appearance of which is declared on the cover). Or Vasily Vladimirsky’s sharply journalistic message “Russian science fiction and the alchemy of renewal”: about the evolution of science fiction in the post-Soviet space, about the confrontation between “mass”, project-based, “formular” science fiction literature and “non-format”. A message, which, however - due, perhaps, to the requirements of the journal's volume - is limited to a list of names. Although it would be nice to give at least a couple of detailed typical examples (if the word “typical” can be applied to “non-format”) of both, since the abundance of names that are significant for the reader from the fandom tells little to the outside reader. And if Vasily Vladimirsky writes in his message about the dominance of projects as a genre-destroying danger, then Dmitry Volodikhin, in his article “Ice and Fire,” dedicated specifically to project collections, seriously examines the merits of the collections “Russian Arctic 2050” and “Bombs and Boomerangs” "and analyzes the successes and failures of Vera Kamsha, Nick Perumov and Vadim Panov - thereby putting the "mass" authors on the same level as those from whom Vladimirsky and Shikarev tried to separate them - with Karina Shainyan and Yulia Ostapenko, who also appeared in these collections . And who, one wonders, is right? I am on the side of Vladimirsky and in general I think publishing projects evil (although I noted one with great pleasure, yes), especially since there are some signs indicating that the time of project collections - project literature in general - is coming to an end, but how can an outside reader know all these subtleties?

Actually, all these articles, which are good, as they say, in themselves, have one and only one essential drawback.

They are considering fiction as an isolated area isolated from the rest literature— thereby allocating her a place in the same ghetto, about which science fiction writers never stop complaining. And in context literature in general reflections, say, on the merits and even shortcomings of the texts of individual cultural authors and individual literary projects, let's just say, they don't adapt too well.

A pleasant exception against this background is Ekaterina Ivanova’s article “Obscurantists in Babylon”, dedicated to “two radical and unusual experiences of talking about Christianity directly and bluntly with the help of fantastic assumptions” - Elena Khaetskaya’s novel “Obscurantists” (1994) and Olga Chigirinskaya’s novel “Heart” sword" (2006), which, thanks to the critic, are integrated into the general philosophical and general literary context t, due to which both the context (the texts are really cool) and the texts themselves (as they receive an additional audience of October readers) benefit:

“Both texts are an experiment in the collision of the incompatible: high content is tested for strength by profane genres - space opera and fantasy on the theme of the Middle Ages. Will the high topic stand up to such a test? Will she become a caricature of herself? And when in both cases it turns out that everything is in order, the genre and the theme completely withstand each other, both writers take the next step already at the level of content: the purity of holiness is trampled into the dirt, checking whether “literary holiness” will stand the test of literary shockingness. The result of the second experiment is not indisputable for me. As a reader, it would be much calmer and easier for me to love these extraordinary texts if they did not contain such rude scenes and such harsh words.

At some point, you suddenly stop understanding why it can’t be just as great, but within the framework of realism?

But apparently it’s not possible.”

Here the author should compare the mentioned texts, for example, with “The Candle” by Zalotukha - as if absolutely realistic, and figure out what exactly the fantastic tools are needed for, and not shield yourself, like a shield, with a quote from the cult critic Maria Remizova, but in general, didn’t you have a desire after such an analysis to take on these texts? If yes, then the author has completed his task. Well, or almost done.

That's good.

About what I bought.
.

Anna Ignatova "I believe - I don't believe"

Astrid Lindgren "Britt Marie pours out her soul"

I didn’t read this story as a child, so I first read it from an e-reader and decided to buy it for Sima.
A little naive, but sweet book about a 15-year-old girl. Britt decided to be friends by correspondence and it is these letters that make up the story.
The illustrations are normal, not “fountain”, but more fun than just text.

Gene Webster "Daddy Long Legs" ISBN: 978-5-17-071993-8

And I learned about this book from the preface to “Britt Marie” (there are also letters from the heroine), I also read it in in electronic format. True, I didn’t finish reading it, because I decided to buy a paper copy and read it with Sima. Also naive, pure, wonderful story for girls and young women. And here it also comes with illustrations by the author (the heroine explains her letters with drawings). When I read it electronically, I noticed that there were not enough pictures. There is a frequent reference to them.

"Animal Doctors"

Sima has already read part of this. Me not. She told me she was interesting. Well, that's why I bought it.
I haven’t bought about nests yet.

John Yeoman "The Hermit and the Bear"

Sima really liked it, but I didn’t. The humor reminded me very much of Winnie the Pooh (play on words, hints), but the translation is not as brilliant as Zakhoder’s. I didn't like it at all. I was bored.

ISBN: 978-5-9287-2647-8

Of course I bought this for Sima. I showed it to her before buying and she just lit up.

Robert Stevenson "Treasure Island"
ISBN: 978-5-9287-2526-6

I thought we already had “Treasure Island” and we didn’t need this book. But Ksenia Moldavskaya praised her so much that I decided to take a closer look at her. I realized that I needed to buy it. Sima already liked her from the screen. That's why I replaced my edition with this inconvenient one big book. But the child likes her. Sima decided to re-read it again.

Albert Likhanov "The Last Cold"

I bought two editions of the book. I couldn't choose.
I liked it live with the illustrations of the Island. I'll leave her. When I re-read it a year ago in electronic form, I immediately remembered that I read it as a child and then it really hooked me. I just forgot the name.

Victor Hugo "Notre Dame Cathedral"
ISBN: 978-5-17-072957-9

I read this work when I was 10-12 years old and reread it many times. I love Hugo.
I really want to reread it with Sima together. I chose this edition. Something is wrong with Lacombe.

Haven't read these yet

Nick Gorkavy "Space Detectives"

Catherine Thimmesh "Invented by girls"

There are conflicting reviews for it online, but I decided to buy it anyway.

Nikolay Gol "Life of wonderful words..."

It seems to me that this is right at Simina’s age. It’s true that we have special books. We need to read and compare.

Pavel Bazhov "Malachite Box"
ISBN: 978-5-9268-1942-4

I had a complete edition like this http://www.labirint.ru/books/75283/
That's why I bought this book. But I'm not happy. Very difficult to read. Thick and big. And the illustrations don't really impress me. The beauties there are not my type.

Vsevolod Sysoev "Golden Rigma"

This is a “pig in a poke.” I’ve never read it. So far I have only appreciated the beauty of the illustrations. Impressive.

Harper Lee "To Kill a Mockingbird"
ISBN: 978-5-17-090282-8

I had it in electronic form and just with Lomaev’s illustrations. I bought it in paper.

This is for Sima. She likes Sherlock Holmes. I really wasn't impressed with the illustrations.
Arthur Doyle "Notes on Sherlock Holmes", "The Return of Sherlock Holmes"
Series: Large illustrated series

Kir Bulychev "Alice and the Crusaders"
ISBN: 978-5-9922-2102-2

And she compared the new edition of Alice with hers from the “Castle of Miracles” series.

Galina Dyadina writes enchanted poems - you want to take them away from the child and secretly read them yourself. And her poems also bring knowledge to readers in the most convenient form for assimilation - the poetess, in collaboration with Andrei Usachev, wrote four poetic encyclopedias: about the stars, the sea, the treasures of the Hermitage and music.

From « Star Book »

Big Dipper
Big Dipper
In the big sky
Why Big
Pretended to be Ladle.
Probably for the night
She's from a bucket
Gives him milk
Your baby.
For the cream
The Path goes to the Milky Way.
After all, Ursa Minor
We need to grow!

Buy a collection of poems: labirint.ru

Arthur Givargizov

Givargizov's poems are simply crazy! They seem awkward, but once you read them out loud, a rhythmic structure and non-standard rhymes will appear. And how much imagination and reckless absurdity there is in his poetry! Among adults, Givargizov’s work evokes mixed reactions: from bewilderment to delight. What about children? , roaring with laughter.

From book « Astronauts »

Don't fly far
The astronaut must go into outer space.
The astronaut is watched by his mother, television and newspapers.
Came out! Hooray! Mom's voice in the headphones:
“Seryozha, do you hear?! Only around the rocket!”

In the underground
Earth. Metro. Astronaut in a spacesuit
rides on the subway, smiles at all the girls.
Girls like men in spacesuits.
Here's an astronaut who doesn't change his clothes
after work.

Buy a collection of poems: labirint.ru

Anastasia Orlova

Anastasia said a new word in nursery poetry: she came up with modern nursery rhymes for the little ones. No angry gray tops that try to bite the side. However, Anastasia’s poems are not only for kids - older preschoolers and their parents also have something to gain from her poetry. The joy of children's discoveries is contagious.

From book « Daisies »

I'm this morning
I'm this morning
Got up on the wrong foot
Mamagi to me, mom!
Dad, papagi!

T-shirt turned out
There's a hole in the toe
How difficult is it?
Life goes on in the morning.

There is no end to compote,
There is no end to the porridge!
Where are you, daddy?
Where is ma-
powerful
neither-
tsa?

They don't fit me
These boots!
Pa-pa-ma-ma-gi-i-te!
Pama, pa-ma-gi-i-i!

Buy a collection of poems: ozon.ru

Yulia Simbirskaya

In a laconic poetic form, Julia talks about very touching things that accompany childhood. Her poems vary in mood - some are cheerful, energetic, and some are thoughtful, inviting you to philosophize. The book “Pea Soup” contains lyrical kitchen stories from the life of baking, hot dishes and drinks. Carefully! After reading this book, you will never be able to eat pancakes and cutlets with indifference.

From book« Pea soup»

Pancakes
A frying pan sizzles on a hot stove,
It contains oil for pancakes up to the chin.
Bouncing in oil - what a miracle!
Then use a spatula to reach the dish.

Sniffle and sigh tirelessly for an hour,
Having relaxed to your heart's content in the sour cream.
Flour and kefir in a triangular bag
They said: “What beautiful children!”

Buy a collection of poems: ozon.ru

Dmitry Sirotin

Dmitry's poems - with a secret. You start reading - it seems like a verse, but in the very middle there is a surprise! Either an unexpected plot device or an amazing hero. And often both at the same time. In Dmitry's poetry, play is in charge. After all, the poet himself played in plays on the theater stage for many years, and then composed songs for theatrical productions.

From book « Cautionary stories »

Unusual cat
It was unusual
Flying cat!
Well, how did we know?!
Lives and lives...
And he hid his wings,
Extremely shy
And he was not flying in the center,
And on the outskirts...

Buy a collection of poems: ozon.ru

Anna Ignatova

Anna Ignatova's poems are atmospheric - they always have a spirit of adventure. Even in the whistle of the train you can hear the roll call of elephants. Along the way, readers absorb all the beautiful things that our language is rich in. This is not surprising: Anna Ignatova is a Russian language teacher and an avid traveler.

From book « About elephants, trolleybuses and princes »

Yesterday at the store
Yesterday at the store
On Bronnaya street
Crows flew into the confectionery hall
And so that the seller does not look gloomily,
They croaked important:
“Kilo “Kar-rakuma”!”
However, then they looked into the wallet
And they croaked more quietly:
“Kilo car-rameli...”

Buy a collection of poems: labirint.ru

Natalia Volkova

What ingredients do you need to make a great children's rhyme? Image, plot and masterly verbal play. In the lyrical stories of Natalia Volkova there is the first, and the second, and the third! She writes about the current realities of children's lives, as mundane as a concrete mixer, and as magical as elves and gnomes in mom's kitchen. And Natalia Volkova, in collaboration with Anna Ignatova, wrote a lifesaver for kindergarten graduations and school classes - a book with short humorous poems about first-grader animals, “First-Class Poems.”

From book « I have a secret island »

Ships and pier
Three ships
Or maybe five
We thought about going to the Pier
Stick to,
But suddenly angry
Berth
They are heart-rending
Screamed:
- Yes, how much is possible?!
I'm tired!
I've been here all year
Didn't rest!
I want to be in silence...
Don't pester me!

Buy a collection of poems: labirint.ru

Elena Yaryshevskaya

Children love stories: funny, fantastic, especially if everything in them is turned upside down. Even the jacket - and that one in Elena Yaryshevskaya’s poetry goes to work on its own (without dad!), mechanically performing the usual actions of its owner. This kind of reading is also useful for adults: an effective vaccination against monotony.

From book « A jacket was walking down the street »

Insomnia remedy
The tired sun hides in the river,
Night comes, darkness deepens...
The sheep can't sleep today,
Sleep doesn't come to the poor guy!
But the sheep have a reliable remedy.
Again the sheep closes its eyes:
- One, little man,
- Two, little man,
- Three, little man...
And falls asleep...

Buy a collection of poems: labirint.ru

Masha Rupasova

For this poetess, writing seems to be quite simple. Because she herself has not yet fully grown. So they sign it not like an adult, “Maria,” but like a girl, “Masha.” She writes about childhood so infectiously that adults instantly remember how to be boys and girls, and are no longer so disciplined in scolding their fidgets for petty hooliganism. And during lunch breaks, they read these poems to their colleagues, some even by heart.

From book « Old ladies fell from the sky »

I- news
Mom is at home?
Mom is gone.
Mom came out
In Internet.
Mom is looking
In the Internet
How are you
In the white world.
Drinks coffee
Leads with his eyes:
What's there
What's happening in the world?
Mother,
I will tell you!
In the world I
I'm happening!

Buy a collection of poems: labirint.ru

Birthday scenario for older preschoolers "Masha and the Bear".

The music from the beginning (1) plays.
Masha runs in and looks for Misha everywhere.
Waltz “My affectionate and gentle beast” (2). Z Mishka comes in, gives the birthday girl balloons and dances with her for about 3 minutes, greeting the guests.
-Mishka, why are you dancing? The bear whispers in his ear that today is a girl named _____ birthday.
Fanfare (3).
1. Game “Birthday is a sweet holiday!”
Tell me guys, is a birthday a sweet holiday?
Well, then I will ask you questions, and you will answer them, so, attentiveness competition:
Who loves cherries?
And who are the cherries?
Who lives in the birdhouse? Haha, missed!
Tell me guys, who lives in the birdhouse?
(Answer: a bird or a starling)
Which one of you loves cakes?
Are the pies fragrant? Is the ice cream fluffy? Who loves plums? Who's the pear? Who doesn't wash their ears? (Children, as usual, answer “I!”).
2. “Masha goes for a walk” Backing track 4
Children are given leaflets with the names of animals. Masha is blindfolded, she must find them. The guys should only make the sound of their animal.
Sounds of the forest (5)

3. "Puzzles"

The riddles are easy, but you can make them more difficult if you wish.

***
Come to my little forest!
I am spread out and tall.
Among my branches
Lots of strong acorns. (Oak)

***
Under a spreading pine tree
The skyscraper stands in the forest.
Floors made of needles.
Don't disturb this house! (Anthill)

***
In the silence of cold nights,
After an hour or two
We will hear among the hummocks
Unexpected: "Wow!"
Birds of prey are flying,
They catch mice and have hares. (Owls, eagle owls)

***
We always ring in the heat
Above the clearing and in the forest
And we bite everyone
Even little kids. (Mosquitoes)

***
We stand on strong legs
On a forest path,
On the edges and paths,
We ask for baskets. (Mushrooms)

***
I invite you to the summer heat
I am a forest people.
I'm murmuring among the roots
And I drink water to the animals. (Spring, stream)

***
The horned elk ate him
I had to call a doctor.
In a red hat, poisonous,
He stands at the edge of the forest. (Amanita)

***
All covered in needles and cones,
I rustle the needles,
And to the girls and boys
IN New Year I come (Christmas tree)

4. Game "Forest Swamp". Sunny bunnies (6)
Children are divided into teams, and “bumps” are given to them. By rearranging the hummocks, they must reach the edge of the swamp.

5. "Jam". Song about jam (7)
MASHA: Guys, you know that I really love jam! You are divided into two teams, and from each team you need to name one berry, a fruit from which you can make jam.
So we made jam. Now let's go fishing.

6. "Fishing". Three wishes (8)
The children stand in a semicircle, and Masha runs a rope under their feet. The one I hit moves aside.

7. "Let's get treatment." About cleanliness (9)
MASHA: Oh Mishka got hurt while fishing. He needs...
CHILDREN: Treat!
MASHA: Now we again divide into teams and choose one “patient”. The task is to “bandage” his head, leg, arm.

8. "Holiday card." Birthday (10)
MASHA: You guys are great, you know everything, you can do everything. Now let's draw cards for our birthday boy.
We line them up and they tell us what they want to wish the birthday girl.

9. "Round dance"
Masha and Misha take all the children by the hands, form a circle and sing “Loaf” to the birthday boy (3 times).

10. Bear gives the birthday girl a cake to the song “Happy Birthday!” (eleven)